Our analysis starts from the appearance of the Pilot Plan for concrete poetry, a concept triggered by Augusto de Campos, Haroldo de Campos and Décio Pignatari. The aforementioned artists begin the journey of new poetic games on the national scene, concocting poems that use different languages and are articulated to tension the production of the traditional lyrical form that has been established for centuries in literature. Based on the context of the production of the three aforementioned artists, we will reflect on how there is a dialogue between the concept of Pilot Plan in literature, architecture, and politics between the mid-1950s and 1960s (with the construction of Brasília and the ambition to produce a futuristic country). The dialogue is based on the assumption of the appearance of new technologies and the change of paradigms in the Brazilian scenario on the part of a political, artistic, and architectural process that was in articulation.